Between memory and reality, between time and existence, pathways flow and intertwine. This is an elusive and shifting pathway—one that leads to recollection, movement, and re-cognition.

In Henri Bergson’s concept of time, time is not an objective entity that can be quantified but rather an experience of “duration” (la durée) shaped by the flow of consciousness. In moments of maintenance and transition—within spaces that exist between a beginning and an end—life does not start or conclude; it simply unfolds.

The car, as a spatial intermediary, is not just a physical means of transportation but also a “third space”—a transient zone that belongs neither to home nor the destination. It embodies the mental state of modern existence: drifting, waiting, loss, and movement. The shifting light at street corners, the subtle trembling of plants in the wind, and the fleeting scenes through the car window are fragments of everyday experience. They do not aim to replicate reality but instead serve as subjective reconstructions of memory.

Pathway is neither linear nor fixed; it is a journey shaped by the viewers’ engagement. Each gaze and reflection extends, diverges, and reshapes this pathway within different layers of memory.